Crystal Singing Bowl

Clear all

A quartz crystal singing bowl is a percussion instrument invented in the 1980s, directly inspired by Tibetan bowls traditionally made from a seven-metal alloy for centuries. Mainly used for sound therapy and meditation, a crystal singing bowl is tuned to a precise note associated with one of the body’s seven major chakras, helping bring a wide range of benefits to its user.

Crystal Tibetan singing bowl
Smart choice

8 in 432 / 440 Hz Quartz Crystal

Tibetan singing bowl 528 Hz

8 in Quartz Crystal

Tibetan singing bowl book
Learn to play

432 Hz singing bowl
Special offer

8 in Quartz Crystal

Quartz Tibetan singing bowl
Expert pick

6–12 in 432 / 440 Hz Quartz Crystal

Tibetan singing bowl mallet

Singing bowl O-Ring

Crystal bowl case

Rock crystal singing bowl
Smart choice

10 in 432 / 440 Hz Quartz Crystal

Affordable crystal singing bowl

8 in 432 / 440 Hz Quartz Crystal

Singing bowl 7 chakras

7–12 in 432 / 440 Hz Quartz Crystal

Tibetan singing bowl 432 hertz

10 in Quartz Crystal

Rose quartz singing bowl

10 in 432 / 440 Hz Quartz Crystal

Flower of life singing bowl

8 in 432 / 440 Hz Quartz Crystal

Singing bowl in E

8 in Note E 432 / 440 Hz

White Tibetan singing bowl

7 in 432 / 440 Hz Quartz Crystal

Frosted singing bowl

6 in 432 / 440 Hz Quartz Crystal

Glass singing bowl

6 in 432 / 440 Hz Quartz Crystal

Singing bowl in A

8 in Note A 432 / 440 Hz

Quartz crystal singing bowl

6–14 in Note C 440 Hz

Singing bowl note A

8 in 432 / 440 Hz Quartz Crystal

Singing bowl note B

8 in 432 / 440 Hz Quartz Crystal

Singing bowl in D

8 in Note D 432 / 440 Hz

Crystal Tibetan singing bowl
Expert pick

7–12 in 432 / 440 Hz Quartz Crystal

Solar plexus singing bowl

8 in Note E 432 / 440 Hz

Quartz singing bowl

8 in 432 / 440 Hz Quartz Crystal

Glass Tibetan singing bowl

6 in 432 / 440 Hz Quartz Crystal

Frosted crystal singing bowl

20 in 432 / 440 Hz Quartz Crystal

Tibetan singing bowl 432 Hz

6–12 in Quartz Crystal

Tibetan singing bowl throat chakra

8 in Note G 432 / 440 Hz

Tibetan singing bowl in G

10 in Note G 432 / 440 Hz

Crystal bowl

7–12 in 432 / 440 Hz Quartz Crystal

Singing bowl note C

8 in 440 Hz Quartz Crystal / Morganite Powder

Singing bowl in C

8 in Note C 440 Hz

Singing bowl note F

8 in 432 / 440 Hz Quartz Crystal

Tibetan singing bowl tuned to G

10 in 432 / 440 Hz Quartz Crystal

Singing bowl in B

8 in Note B 432 / 440 Hz

Singing bowl note G

8 in 432 / 440 Hz Quartz Crystal

Singing bowl note E

8 in Note E 432 / 440 Hz

Singing bowl in D

8 in 432 / 440 Hz Quartz Crystal

Singing bowl in G

8 in Note G 432 / 440 Hz

Singing bowl in F

8 in Note F 432 / 440 Hz

Singing bowl 30 cm

432 / 440 Hz Quartz Crystal

Singing bowl 25 cm

432 / 440 Hz Quartz Crystal

Tibetan singing bowl booklet

1 - 45 of 45 products

What is a crystal singing bowl?

A seated woman striking several crystal singing bowls with a mallet

The crystal singing bowl is a percussion instrument, usually shaped like an upside-down bell or even a simple drinking glass. Most are white and opaque (often called frosted crystal), but they can also be colored or translucent, in which case they’re often referred to as clear crystal bowls.

Officially, the crystal singing bowl was invented in Europe by the Saint-Gobain company in the 1980s. However, its shape and the way it’s played are very similar to the Tibetan bowl, which, as its name suggests, comes from Asia, more specifically the Himalayan mountain range. Because of this strong influence, the origins of the crystal singing bowl can be attributed to Asia as well as to Europe.

Using a striker or a mallet, usually covered with a synthetic material, the player strikes or rubs the outer wall of the singing bowl. The crystal then vibrates, resonates, and produces rich tones that vary depending on the bowl’s diameter and weight. That’s why professionals who use crystal singing bowls in their practice generally own several models in different sizes.

Typically, the percussionist doesn’t play the singing bowl directly on the floor. The instrument rests either in the musician’s open hand or on an O-Ring, a ring-shaped plastic cushion that helps the vibrations resonate freely.

What sounds does a crystal bowl produce?

It depends on the size of the singing bowl. The smaller the instrument, the higher the sounds it produces. Likewise, the larger the singing bowl, the lower the sounds it generates.

Watch this video to get a sense of the kinds of sounds this instrument can produce.

Crystal singing bowl video miniature

When purchasing a crystal singing bowl, several factors must be considered, particularly its diameter. The smaller the diameter, the lighter the instrument will be. Conversely, a large singing bowl will be heavier but will produce longer, deeper vibrations that may appeal to energy-work practitioners seeking a stronger connection to the Earth.

The pitch also depends on the instrument’s diameter. In other words, smaller bowls produce higher-pitched tones, while larger ones tend to produce lower-pitched tones. At 8–10 in (20–25 cm), a singing bowl is considered medium-sized and therefore offers a balanced tone. By choosing a smaller or larger model, you’ll get either higher or lower tones.

Obviously, size also affects the price. A large singing bowl will inevitably be more expensive than a small one. Read this article if you want to know which size to choose for your Tibetan singing bowl.

Singing bowls made of quartz crystal or rock crystal are specially tuned to produce a specific musical note when played. According to Hindu tradition, each of the seven musical notes is associated with one of the seven major chakras in the human body. Therefore, depending on what you hope to achieve with the instrument, it may be worthwhile to select a specific musical note.

The notes available for singing bowls generally correspond to the C major diatonic scale: C, D, E, F, G, A, and B. To avoid ending up between two chakras, it is best not to choose a singing bowl tuned to a sharp or flat note.

  • C - Root Chakra (Muladhara): associated with security, survival, self-confidence, and connection to the earth.
  • D - Sacral Chakra (Swahisthana): linked to creativity, relationships, and sexuality.
  • E - Solar Plexus Chakra (Manipura): related to personal power, organization, and emotional management.
  • F - Heart Chakra (Anahata): related to compassion, friendship, empathy, and love.
  • G - Throat Chakra (Vishuddha): associated with communication and expression.
  • A - Third Eye Chakra (Ajna): associated with intuition and self-understanding.
  • B - Crown Chakra (Sahasrara): related to spirituality and wisdom.

Finally, keep in mind that the note produced by a Tibetan singing bowl cannot be changed later. Therefore, the only option is to purchase another instrument if you want to target a different chakra. That’s why the Instruments du Monde store offers sets of seven singing bowls that cover all the major chakras. You can also read this article, which will help you select the musical note for your singing bowl.

In the vast majority of cases, all musical instruments are tuned to a frequency of 440 hertz. Singing bowls are an exception to this rule because some people believe that tuning them to other frequencies could have a beneficial effect on the musician and the audience. This is why some manufacturers offer singing bowls tuned to 432 and 528 Hz in addition to the standard 440 Hz.

Regarding these frequencies:

  • The 440 Hz frequency is the standard used in contemporary music and is generally perceived as more familiar. If you plan to play with other musicians, choose this frequency because an instrument tuned to 440 hertz and another tuned to 432 Hz are completely incompatible.
  • The 432 Hz frequency is said to be in harmony with the Earth and nature. Some say it has a more relaxing and soothing effect.
  • The 528 Hz frequency is often associated with DNA repair and is considered by some to be a healing frequency. Some music therapy practitioners use it in their professional practice.

However, it’s important to note that there is currently no scientific evidence supporting the supposed benefits of these frequencies. Therefore, their effectiveness cannot be guaranteed. To learn more, we also recommend reading this informative article, which will help you choose the right frequency in hertz for your singing bowl.

According to popular belief, and supported by several recent scientific studies, crystal singing bowls offer a range of benefits. These may include reduced stress, lower blood pressure, and less anxiety. More specifically, studies have observed decreased cortisol levels, a hormone closely linked to stress, after using this type of sound instrument. Researchers have also noted improved mood among users and better sleep quality when the bowl is played for a few minutes before bedtime. Finally, this percussion instrument may help relieve certain symptoms of serious illnesses such as schizophrenia and Alzheimer’s, which has led more and more doctors to recommend it as a complement to conventional medical treatment. One study also looked at using this instrument in the context of addiction, without providing any firm, definitive conclusions about potential benefits.

On a less pragmatic level, some energy-work practitioners believe this instrument has other virtues, such as cleansing spaces, purifying lithotherapy stones (crystals and minerals used in wellness practices), or supporting the immune system. Others use it during reiki sessions or to balance the body’s major chakras. That said, none of these effects have been scientifically proven.

In any case, a singing bowl cannot replace proper medical treatment. It’s only meant to be used alongside it, as a way to support everyday well-being.

Although singing bowls are generally harmless, they may have certain contraindications and side effects, primarily related to their sound, vibrations, and materials. 

  • Sound level: Obviously, striking a singing bowl too hard can produce excessively loud sounds that could damage your hearing. You should therefore use your musical instrument with a reasonable level of force.
  • Materials: There are no contraindications to using a quartz crystal singing bowl unless you are allergic to this material, which is composed of more than 99% silica.
  • Vibrations: There is absolutely no danger in listening to the vibrations of a singing bowl as long as the volume remains at a reasonable level. However, some people use them for sound massage, in which one or more bowls are placed on a person’s body and then played by another person to make them vibrate. In this situation, care must be taken to ensure that the weight of the instruments is appropriate for the recipient’s body type and that the potentially intense vibrations are suitable for the individual, particularly if they suffer from back pain.
  • Pregnancy: As a precaution, pregnant women should not use a singing bowl while it is resting directly on their abdomen. Although the medical community has identified no contraindications, no one truly knows what the potential effects on the fetus may be.
  • Epilepsy: In rare cases, singing bowls may trigger epileptic seizures. They are therefore not recommended for people with epilepsy.

The vast majority of people interested in using a singing bowl can therefore do so without any difficulty. That’s why you can choose a singing bowl with confidence.

Whether a Tibetan singing bowl is made of metal or crystal, there are two main techniques for playing it and making it sing.

The first involves using a mallet to strike the outer rim of this percussion instrument directly and sharply, much like a drum. This creates vibrations, with the bowl acting as a resonating chamber. The intensity of the vibrations depends mainly on how hard you strike the bowl.

The second method, which is more complex but, in our opinion, more interesting, involves playing the singing bowl through friction, much like a Taoist bowl. First, still using a mallet, strike the outer wall of the bowl. This action is called the “impulse.” Immediately afterward, rub the mallet around the outside of the bowl’s rim. There’s no need to move quickly; however, you must maintain a steady motion and position the mallet correctly. Using this technique, the singing bowl will vibrate and produce tones that differ from those obtained with the first technique.