Intermediate Handpan
The intermediate handpan is designed for players who want a model with a rich tonal palette from the start or who already own their first instrument and are beginning to feel limited by its notes or scale. In this collection, you’ll find models with expanded ranges, most of which are available in 432 or 440 hertz, sometimes with notes positioned beneath the shell. This allows you to give your compositions a deep foundation while developing more nuanced expression.
Handpan Meditation
10 notes D Kurd 432 / 440 Hz
$1,699
Artisan Handpan
9 notes D Kurd 440 Hz
$1,699
16-Note Handpan
16 notes D Kurd 432 / 440 Hz
$1,999
14-Note Handpan
14 notes D Kurd 432 / 440 Hz
$1,699
Handpan Mandala
10 notes D Kurd 432 / 440 Hz
$1,899
10-Note D Minor Handpan
10 notes D Kurd 432 / 440 Hz
$1,699
Handpan Instrument
10 notes D Kurd 432 / 440 Hz
$2,199
$2,099
Pantam
10 notes D Kurd 432 / 440 Hz
$1,999
Can you start with an intermediate handpan right away?

It is entirely possible to start at this level. For most beginners, a first handpan is still an excellent starting point because larger instruments become truly worthwhile once you know which notes you want to add.
The most important factor is the quality of the instrument. A poorly tuned first purchase often leads to a second purchase a few months later, resulting in a higher total cost. Conversely, a first instrument of sufficient quality can serve you well for years.
What techniques should you practice on an intermediate handpan?
If you want to progress on an intermediate handpan, you should work on dynamics and ghost notes, followed by percussive strikes and, most importantly, playing the groove and melody simultaneously. To shape your dynamics, vary the speed of contact with the note to move from pianissimo to mezzo-forte. Short, muted contact articulates the rhythm, while letting the note resonate gives the phrasing more space.
Ghost notes fill the space in a groove and vary its dynamics, enriching a simple pattern without filling every silence. On a nitrided instrument, you can also add a slap to the shell. Tapping the ding with your fingertip requires careful control of force to create contrast without damaging the instrument.
Finally, you will need to learn how to weave the groove into the harmony and melody. This is where a common stumbling block arises, as the groove and melody tend to alternate instead of blending together. With bottom notes, you will also be able to lay a bass line beneath your melody.
