Tibetan Singing Bowl in B

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The Tibetan singing bowl tuned to B lets you hear the brightest note in the scale, completing the sequence of seven notes just before it returns to C. Our selection includes crystal bowls available with 440 or 432 Hz tuning, as well as metal bowls. Play one on its own to enjoy its high, bright sound or pair it with a bowl tuned to E.

432 Hz singing bowl

8 in Quartz Crystal

Rock crystal singing bowl
Smart choice

10 in Quartz Crystal 432 / 440 Hz

Tibetan singing bowl note B

3.15 in 7-Metal Alloy 440 Hz

Affordable crystal singing bowl

8 in Quartz Crystal 432 / 440 Hz

Crystal Tibetan singing bowl
Smart choice

8 in Quartz Crystal 432 / 440 Hz

Tibetan singing bowl 432 hertz
Special offer

10 in Quartz Crystal

Quality Tibetan singing bowl

4.75 in 7-Metal Alloy

Tibetan singing bowl crown chakra

3.15 in 7-Metal Alloy 440 Hz

Rose quartz singing bowl

10 in Quartz Crystal 432 / 440 Hz

Flower of life singing bowl

8 in Quartz Crystal 432 / 440 Hz

Frosted singing bowl

6 in Quartz Crystal 432 / 440 Hz

White Tibetan singing bowl

7 in Quartz Crystal 432 / 440 Hz

Crystal Tibetan singing bowl
Expert pick

7–12 in Quartz Crystal 432 / 440 Hz

Glass singing bowl

6 in Quartz Crystal 432 / 440 Hz

Tibetan singing bowl in B

6.7 in 7-Metal Alloy 440 Hz

Om Mani Padme Hum Tibetan singing bowl

4.75 in 7-Metal Alloy

Singing bowl 7 chakras

7–12 in Quartz Crystal 432 / 440 Hz

Singing bowl note B

8 in Quartz Crystal 432 / 440 Hz

Quartz singing bowl

8 in Quartz Crystal 432 / 440 Hz

Glass Tibetan singing bowl

6 in Quartz Crystal 432 / 440 Hz

Frosted crystal singing bowl

20 in Quartz Crystal 432 / 440 Hz

Crystal bowl

7–12 in Quartz Crystal 432 / 440 Hz

Quartz Tibetan singing bowl
Expert pick

6–12 in Quartz Crystal 432 / 440 Hz

Singing bowl in B

8 in Quartz Crystal 432 / 440 Hz

Tibetan singing bowl 432 Hz

6–12 in Quartz Crystal

Singing bowl 30 cm

Quartz Crystal 432 / 440 Hz

Singing bowl 25 cm

Quartz Crystal 432 / 440 Hz

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What is the frequency of a Tibetan singing bowl’s B note with a 440 Hz or 432 Hz reference?

A woman striking Tibetan singing bowls tuned to B during a relaxation session

The B note of a Tibetan singing bowl vibrates at approximately 494 hertz when the reference A is tuned to 440 hertz, provided it is B in the fourth octave, written B4. Its precise frequency is 493.88 hertz. A note’s frequency changes with each octave: it halves as you go down an octave and doubles as you go up. A bowl sounding B one octave lower will therefore be around 247 hertz, while one sounding B an octave higher will be close to 988 hertz.

When the reference A is tuned to 432 hertz, all the notes are lower, so your B will sound slightly lower than it does with a 440-hertz reference.

Why is a bowl tuned to B often the smallest in a set of Tibetan singing bowls?

A bowl tuned to B is often the smallest in a set because B is the highest note in the scale from C to B. When a set of seven bowls spans one octave, the largest produces the low C and the smallest sounds a B. For crystal bowls, diameter determines pitch. As a guide, a B bowl may measure about 8 in (20 cm) across, while a low C calls for 12–16 in (30–40 cm) and notes in the middle of the scale call for 9–11 in (23–28 cm).

A larger bowl can also produce B, sounding it an octave lower with a deeper, longer-lasting tone. That’s why we offer crystal bowls tuned to B in 10 in (25 cm) and 12 in (30 cm) sizes, letting you choose the depth of sound you prefer.

Metal bowls tuned to B come in diameters as small as 3.15 in (8 cm) and as large as 6.9 in (17.5 cm). Several of them are also engraved bowls. Some B bowls with diameters of 4.75–5 in (12–13 cm) weigh 14–18 oz (400–500 g), while others weigh 1 lb 9 oz to 1 lb 12 oz (700–800 g). Weight alone therefore cannot tell you a bowl’s note. Its frequency depends on its material, opening, density, wall thickness, and diameter.

Close-up of a Tibetan singing bowl tuned to B

A singing bowl tuned to B is marked “B” because that is the letter used for the note in the notation found on most tuners and sheet music. You may also see “H” on some models: in German notation, B is written as H. Instruments intended for German-speaking countries are therefore often labeled “H,” while those sold in English-speaking countries are labeled “B.” There is one catch. In German notation, “B” means B-flat, written “Bb” in English notation. Depending on where the label originated, “B” could therefore indicate either note. If you see “B” by itself, use a tuner to check the note displayed alongside its frequency.

There are two historical explanations for the use of “H.” One traces it to the G hexachord, a sequence of six notes (G A H C D E) that called for a new note between A and C. The other holds that copyists mistook the square-shaped b once used for B for an h.

An instrument tuned to B produces a clear, high-pitched sound because B is the highest of the seven notes in the scale. When its B sounds an octave above B4, at around 988 hertz, the instrument sounds light and almost ethereal. By contrast, a B in the third octave, at around 247 hertz, produces a heavier sound that you feel more deeply in your body.

According to tradition, B is associated with the crown chakra, known as Sahasrara.

Bowls tuned to E, G, and D sound best with B. E and B share a partial, one of the higher tones that blend with a note, giving them a soothing sound when played together.

If you want to play a chord, you can use these combinations:

  • G-B-D for a G major chord
  • E-G-B for an E minor chord

We recommend starting with E to enjoy its soothing sound alongside B.

The B note of your singing bowl leads naturally to C because B is the seventh and final note of the scale, just before it returns to C.

B also plays this role in chords. With G-B-D-F, it forms the G seventh chord, creating tension and anticipation. With C-E-G-B, it forms the C major seventh chord, in which B and C sound together.

For a singing bowl you want to play with the other notes of the C major scale, Instruments du Monde recommends B rather than B-flat. B-flat is a half step lower, a difference of 100 cents. Cents measure how far a pitch falls above or below a note’s center. When two instruments a half step apart sound together, they produce beats, or pulses in the sound, which some practitioners use to create tension that is then released.